Band: The Head And The Heart
Album: Living Mirage
VÖ: 17.05.2019
Label: Reprise / Warner Music
Bandwebsite: www.theheadandtheheart.com
Anfang letzten Jahres kamen The Head And The Heart in Joshua Tree zusammen. Vor Beginn der Arbeiten an ihrem neuen Album durchlief die Band aber erstmal einen Häutungsprozess, der die weitreichende, kunstvolle Erweiterung ihres erdigen Folk Rock, der die Band einst definierte, erst ermöglichte. Diese „Wiedergeburt, die Suche nach dem Geist der Band“, wie es Bassist Chris Zasche beschreibt, resultierte aus den wachsenden Qualen nach dem letzten Album „Signs Of Light“ - der einvernehmliche Abschied von Gitarrist und Sänger Josiah Johnson, dessen Platz Matt Gervais einnahm (Ehemann von Violonistin und Sängerin Charity Rose Thielen) und der Rückkehr von Keyboarder Kenny Hensley.
Der Neuanfang in vollem Gange, verließ die Band für Songwriting und Aufnahmen die Wüste und stoppte in Appleton, Wisconsins The Refuge Fox Cities, West Seattle, Omnisound in Nashville und Barefoot Recordings in Los Angeles. Das mit der Hilfe von Tyler Johnson und Alex Salibian (Harry Styles, Sam Smith, Cam) sowie Engineer Ryan Nasci entstanden Album beschreibt Sänger Jon Russel als eine Art Chronik von Geschichten und Perspektiven.
“In my mind, the songs on this album are vignettes”, sagt Jon. “Like ‘Brenda’ reminds me of when you’re a teenager at a house party. You’re surrounded by noise—‘What am I doing here?’—and a ray of light comes down and you notice this person. You’re like, ‘Maybe I will stay.’ These songs feel honest.
Die Single „Missed Connection“ besticht durch einen groovenden Beat, den unverkennbaren Gesang von Jon Russel und zeigt erstmals die Liebe der Folk-Band zu modernen Pop/Hip-Hop Produktionen.
„Missed Connection“ ist ein ergreifender Schnappschuss des Angstgefühls, das dem Wachstumsschub vorausging. Der Song entstand in Erinnerung daran, wie Jon seine Freundin kennenlernte, ehe er sich zu einer starken Metapher für die Band verwandelte, die sich vor 10 Jahren während einer Open-Mic Nacht in Seattle kennenlernte – und sich plötzlich die Frage stellte: “Is it all going to work?”
„Living Mirage“ wird seinem Titel gerecht – ein formwandelnder Fiebertraum aus Unbehagen, Angst und schlussendlich Hoffnung. “This is literally the most work we’ve ever done on an album”, fügt Jon Russel, nicht ohne Stolz, hinzu.
Tracklist
01. See You Through My Eyes
02. Missed Connection
03. People Need a Melody
04. Honeybee
05. Brenda
06. Running Through Hell
07. Against The Wall
08. Saving Grace
09. I Found Out
10. Living Mirage
11. Glory of Music
Infos zur vorherigen VÖ:
THE HEAD AND THE HEART präsentieren pünktlich zur anstehenden Tour im Januar mit "All We Ever Knew" (über 8 Wochen auf Platz 1 der AAA Radio-Charts) ihre derzeitige US Hit-Single in Deutschland.
Die eingängige warme Folk-Pop Nummer stammt aus dem im September erschienenen 3. Studio-Album „Signs Of Light“, das Major Label Debüt auf Warner Music, welches gleich auf Platz 5 der offiziellen Billboard-Charts einstieg. Ihre Konzerte gelten als eine einzige große Party, bei der alle sechs Musiker zuweilen vorne am Bühnenrand stehen, gemeinsam singen und intensiv mit dem Publikum agieren.
THE HEAD AND THE HEART - "Signs Of Light" Album-Bio:
In 2014, exhausted after four years of non-stop touring, the six members of the Head And The Heart pointed their individual compasses to new cities, new relationships and new adventures. Pianist Kenny Hensley learned to fly planes and enrolled in kung-fu training in China, while bassist Chris Zasche packed up a camper and went off the grid in the Canadian Rockies. Drummer Tyler Williams put down stakes across the country and immersed himself in the burgeoning music scene in Richmond, Va., while vocalist/multi-instrumentalist Charity Rose Thielen honed her compositional skills by writing for such legends as Mavis Staples.
After his own cross-country trip to reconnect with family and friends, vocalist/guitarist Jonathan Russell traveled to Haiti and found inspiration working with the non-profit Artists For Peace And Justice. “When I found out we were going to have a significant amount of time off, I saw it as an opportunity to touch base again -- to listen to what other people were saying and what they were going through,” he says. “I really wanted to make sure that I reconnected with a world that was starting to feel farther and farther away.”
When the Head And The Heart regrouped last summer in Stinson Beach, Ca., to start writing together again, “it almost felt like we were a new band, trying things we hadn’t tried,” Zasche recalls. “We stayed at a bungalow on the beach. We’d wake up, have coffee and go boogie boarding. We were ready and excited to be back together.”
That renewed sense of purpose can be felt throughout “Signs Of Light,” the group’s first release for Warner Bros. Records. “This album isn’t about us now having achieved our dreams,” says Thielen. “The day we started being able to live off our art was the day we achieved our dreams, in my mind. This is the album where we really fell into our true voices as those artists.”
Recorded in Nashville with producer Jay Joyce (Eric Church, Cage The Elephant), “Signs Of Light” crackles with the upbeat, sing-a-long energy of the Head And The Heart’s finest work. Lead single “All We Ever Knew,” which was written during the “Let’s Be Still” era but never captured to the band’s satisfaction until now, is sure to be a crowd-pleaser, while “Turn It Around” seems primed to be a future concert staple, matching its inspirational message with a lush and multi-layered soundscape.
Throughout, the colors are brighter, the electric guitars are louder and the musical touchstones more universal. The propulsive, smile-inducing ode to Los Angeles “City Of Angels” and the head-nodding “Rhythm & Blues” nod to classic Fleetwood Mac, while the organ-flecked “Dreamer” is a timeless-sounding ballad that could have been beamed straight out of an old jukebox.
“Jay was really adamant about getting a great performance,” Russell says. “We have all the tools in the world to make something sound real or more excitable, but it’s never really as true as the band in the room for the whole take. ‘City Of Angels’ — we had previously re-cut that song and played it so many times. But within two takes in Nashville, we nailed it. It felt like we were playing on a massive stage in front of tons of people.”
Elsewhere, Thielen’s “Library Magic” could almost be seen as a letter to the other five members, acknowledging the ups-and-downs of life in a successful band while celebrating the unique and constantly evolving bond between them. “I wrote that song after having our first real time off as a band,” she says. “It touches on the storied relationships between band members trying to survive living in a van off of accelerated time and gas station crafts for years straight, but it also applies to any of life’s relationships.”
The Head And The Heart’s 2011 self-titled debut album captured a nascent but undeniable creative partnership between six strangers thrown together by little more than a shared love of music. It became one of Sub Pop Records’ best-selling debut releases ever, and rocketed the band to acclaim well beyond its then-home base in Seattle. The formative experiences that followed both on and off the stage heavily informed the 2013 follow-up “Let’s Be Still,” which continues to remind Russell of “the stale beer, bleach and potato chips from all the venues we saw once this became our livelihood.”
