Band: The Last Gang
Album: Noise Noise Noise
Label/Vertrieb: Fat Wreck Chords / EDEL
The year is 2021. America is still fighting its way through an ongoing pandemic, currently fueled by the ignorance of millions who have decided science isn’t good enough for them. Countless lives have been lost or disrupted by an inefficient government loaded with corrupt politicians, egged on by snake oil salesmen who are inexplicably given nightly platforms on cable TV or allowed to spread their disinformation through social media. Make no mistake: Rome is burning. We are fiddling.
Pissed off yet? So is The Last Gang. This California punk quartet had big plans for 2020, with a seemingly endless string of tour dates keeping them on the road in support of their Fat Wreck Chords debut, Keep Them Counting. Crowds were getting bigger. Sing-alongs were getting louder. Spirits were getting higher. The only problem? The band was trying to write a new record simultaneously, and it wasn’t going well.
“Our downfall is we want to tour a lot, but it’s sometimes hard for us to write because it takes so much out of me,” begins frontwoman Brenna Red. When the world came to a standstill in March 2020, it was actually a blessing in disguise for Red. She could finally focus on everything happening outside of their tour van — and she quickly realized it wasn’t pretty.
“Because COVID happened, I was allowed to not rush, and we stepped back and re-wrote songs,” she explains. “Then I went to Fat Mike’s to write with him, and he challenged me to write more Clash-influenced reggae. I listened to London Calling to get inspired, but I think Joe Strummer once said if you want to be inspired, don’t listen to your idols — listen to your idols’ idols. So I also listened to a lot of Toots And The Maytals and Lee ‘Scratch’ Perry, and a ton of Trojan Records compilations.”
One listen to Noise Noise Noise, and you’ll discover a band who has not only pushed their musical boundaries in new and unexpected ways, but a lyricist in Red who has unlocked a new side of herself, spitting barbs both personal and political at whoever might listen. We’re obviously punk at our core,” she says. “People expect to hear something, and that can become tedious and somewhat boring. But when you throw somebody a curveball, if they hate it, that’s fine. But more than likely, they’re gonna go, ‘What is this?’ and it’ll pull them more into the album.”
Noise Noise Noise is nothing if not full of curveballs. The album opens with the “Guns Of Brixton”-esque title track, the first of the album’s many forays into guitar upstrokes and elastic basslines. The next curveball comes in the very next track, “WFTW,” the rare punk song that’s four minutes long, and feeling a little bit like Searching For A Former Clarity-era Against Me! with Red cramming as many syllables into her verses as humanly possible. It’s also one of many new songs elevated by lead guitarist Ken Aquino, making his recorded debut with the now-quartet.
“Ken is a great lead guitar player, but my huge thing I love about Ken is at his core, he’s a melody man — he can sing pretty,” she gushes. “He adds so much to our band.” Aquino, also used to work in the same studio as producer Cameron Webb (Motörhead, Sum 41), who just so happened to be behind the boards for Noise Noise Noise (which was also co-produced by NOFX’s Fat Mike and Useless ID’s Yotam Ben Horin). Red was thrilled to reunite with Webb, who previously produced Keep Them Counting. “I know he’s not going to let me sound bad,” she says. “He’s going to push me.”
Look no further than “Shameless,” a true gem of the album, a melodic punk banger with Red turning in a career-best vocal performance. The curveballs keep coming deep into the tracklisting, with the sludgy 6/8 tune “Intelligence Is A Plague.” In it, Red fires salvo after salvo at the ignorant masses as well as the publications that prey upon them (marking what is probably the first time alt-right “news” outlet Breitbart has been name-checked in a song).
“It was inspired by this overwhelming feeling of ‘Why aren’t we listening to the people who can tell us how to fix these huge problems?’ COVID, climate change, you name it. To me, it’s like, ‘I don’t know what to do, so I’m going to listen to you.’ But those people don’t want to be humble. They’d rather be ignorant and feel like they’re right.”
This gets to the crux of Noise Noise Noise: These songs speak to her, and she hopes they speak to you, too. “I write music just to be alive,” she concludes. “I hope there’s something that can be taken from it to make you feel that electricity inside of yourself, whether happiness, pain, bittersweet memories… Just pick apart the art and put it inside of your own life.”
Band: The Last Gang
Album: Keep Them Counting
Label: Fat Wreck Chords / EDEL
Bereits im Dezember haben THE LAST GANG mit der 2-Song 7-Inch "Sing For Your Supper" ihr Debüt bei Fat Wreck Chords gegeben, am 2. März soll dort nun ihr neues Album "Keep Them Counting" erscheinen - ein Longplayer gespickt von zehn vielseitigen Punk-Songs zwischen ansteckenden Riffs und großen Refrains. Freunde von den DISTILLERS werden begeistert sein. Auch "Sing For Your Supper" wird Teil des Albums sein, zu dem das Trio nun auch ein Video veröffentlicht hat.
This December, Orange County’s The Last Gang will make their Fat Wreck Chords debut with the two-song 7-inch Sing for your Supper. And while The Last Gang may seem like a new band, their history is rife with chance encounters that led to big breaks. The band originally formed in 2007, with vocalist-guitarist Brenna Red leading the band and playing the king of ‘77 punk that allowed them to tour with the Anti-Nowhere League and Duane Peters Gunfight. But in 2012, shortly after drummer Robby Wantland joined, The Last Gang put their guns down and called it a day. Thankfully, that didn’t last long.
Reformed by vocalist-guitarist Brenna Red and drummer Robby Wantland the pair developed the sound that would become The Last Gang, a mix of tough-as-nails punk and bouncing melodies. As they rotated through bass players, the band quickly found themselves being asked to contribute to the Rancid tribute compilation Hooligan’s United. But due to some email based mishaps, they’d be under a time crunch. “We found out we were gonna be on it the day before the deadline,” says Red. “Long story short, we learned and recorded the song in one day.”
But that one song—and the music video that accompanied it—would be the jumpstart the band needed. Before long, they’d find a permanent bassist in Sean Viele, and The Last Gang would hit the road, a handful of releases, and become a more dominant force than ever before. As the band prepped new material, another chance encounter would give the band an even shot in the arm, as Wantland ran into producer Cameron Webb (NOFX, Motörhead, Alkaline Trio). Soon, Wantland would find himself in Webb’s studio, playing the esteemed producer some of The Last Gang’s songs. “I played him the demos and he was like, ‘Holy shit. Do you guys have a manager or anything?’ It wasn’t really my intent to con him into liking my band or anything, but it was a dream,” says Wantland.
With their lineup solidified, and a producer on board, The Last Gang went into the studio with Webb to record some songs. And as The Last Gang was just about to head out on a tour of England, minutes before they were up in the air, they got a call from Erin Burkett. “We’re getting ready to go to England, we’re at LAX, and Erin calls us and says she wants to sign us,” says Wantland. It’s the kind of story that you’d expect in a Hollywood movie instead of a punk band’s origin story, but it’s the product of years of hard work and dedication—and the fact that The Last Gang is a band worth getting excited about.
When Sing for your Supper hits on December 8, that infectious energy will spread all the more once people drop the needle on the 7-inch. More than just a teaser for the 2018 full-length, the two songs serve as a perfect introduction to The Last Gang. The title track—which will also be on their new album—is the kind of palm-muted ripper that made Rancid famous, with a bouncing bass line, a huge hook, and airtight songwriting that’ll get stuck in your head for years to come. And the B-side, which is exclusive to this release, is no less throttling. From the jump, the song whips up a frenzy, shifting directions on a dime but never losing sight of The Last Gang’s pop-indebted ethos. After years of grinding it out, Sing for your Supper is the distillation of The Last Gang’s dedication, passion, and hunger. And for those looking for your new favorite punk band, look no further.