Band: Glen Hansard
Album: This Wild Willing
VÖ: 12.04.2019
Label: ANTI- / Indigo
Website: glenhansardmusic.com/
“This collection of songs is mainly made up of those that came through while improvising and following the melodic lines and threads,” Hansard explained. “Sometimes when you take a small musical fragment and you care for it, follow it and build it up slowly, it can become a thing of wonder.” – Glen Hansard
Those who have followed Glen Hansard’s career since his Academy Award winning turn in the film Once will have witnessed one artistic arc: the journey of a Dublin busker who cut his teeth on the greats - Dylan, Van Morrison, Leonard Cohen – and followed the path of the troubadour to great effect. But there is another thread running through Hansard’s musicianship; in his decades as lead singer of Irish stalwarts The Frames, rock and folk ambitions coexisted with moments of strangeness, intimacy, and stillness.
Hansard now announces This Wild Willing, his fourth full-length album and a collection of songs that follows this second path, where he marries the sonic inventiveness of the best of his work in The Frames with the discipline he’s found as a songwriter and lyricist in his solo career.
Lead track “I’ll Be You, Be Me” finds Hansard weighing the risks of such vulnerability, his restrained vocal masking the fury of the underlying instrumental’s building storm, and to which Hansard advises “on first listen, please turn it up loud in your head phones!”
“I’ll be you, be me and I’ll be you/I’ll take your truth, your lies, your secrets,” he sings, negotiating the consuming potential of desire. There is danger here, but it is without rancor or ill-will – the danger of a hare with its belly exposed. There is also a duality in the invitation: the audience is drawn in just as surely as the song’s object to the immersive world conjured by the album.
This Wild Willing was conceived in Paris and recorded at the French Black Box studios with producer David Odlum and a core group of musicians that includes classically-trained Iranian musicians the Khoshravesh brothers, long-time Hansard associates Joe Doyle (bass) and ROMY (piano, vocals, string arrangements), and Dublin electronic musicians Deasy and Dunk Murphy (Sunken Foal). The album is grounded in a spirit of openness to invention and experimentation.
Infos zum vorherigen Album
Band: Glen Hansard
Album: Between Two Shores
VÖ: 19.01.2018
LabeL: Anti- / Indigo
Website: http://glenhansardmusic.com/
Marking his third solo album, singer-songwriter Glen Hansard will release Between Two Shores on January 19, 2018 via Anti-. Following up 2015's GRAMMY nominated Didn't He Ramble, and his 2012 solo debut Rhythm and Repose, the ten-track collection was produced by Hansard himself for the first time. The culmination of more than six years of writing and recording, Between Two Shores came together in only a matter of weeks. This past March, Hansard booked himself time at Black Box Studios in France with the original idea of taking inventory of his songbook. Working again with former Frames bandmate and producer David Odlum, Hansard was in search of a direction for his next record. As he trove through his previous sessions, various ideas and home recordings, a sketch of an unplanned record began to take shape. The aptly titled "Setting Forth" became the catalyst for the direction Hansard hoped to achieve with Between Two Shores. Recorded with drummer extraordinaire Brian Blade and members of his Fellowship Band the song tackles themes of self-doubt in a time when it's impossible not to be riddled with uncertainty. The album's lead track "Time Will be the Healer" is a hopeful plea to a forlorn lover that also speaks to the way forward in the current social climate. Indeed, it would be impossible not to in some way address the politics of the day, which Hansard does in "Wheels on Fire" and its refrain of "We will overcome!"
While the record truly came together in France, Between Two Shores features material captured in New York and Chicago with a revolving cast of musicians. In addition to Blade, the record also features Thomas Bartlett, Brad Albetta and Rob Moose who appeared on much of Rhythm and Repose. However it's Glen's touring band - Joseph Doyle, Rob Bochnik, Graham Hopkins, Justin Carroll, Michael Buckley, Ronan Dooney and Curtis Fowlkes - that feature most prominently and take center stage on tracks like the upbeat E Street shuffle of "Roll On Slow" and the Van-tastic "Why Woman." The album's title comes from Hansards ongoing love of sailing and the sea. When one is equal distance between their starting point and their destination they are in essence "between two shores." A less than ideal time to wonder whether you should turn back or continue on, but a thought that inevitably rears its head. With Between Two Shores Hansard has managed to capture that feeling of the big soulful sound of his large touring band while still retaining the intimate introspective nature of his acoustic shows. To which way the wind will blow on his next record remains to be seen. Hansard is a founding member of The Frames who celebrated 25 years as a band in 2015. He is one half of The Swell Season, which also features pianist Marketa Irglova. Together in 2007 they wrote the music for and starred in the movie Once. The song "Falling Slowly" from the film was awarded the Academy Award for Best Original song. In 2013 the film was adapted for Broadway as Once, The Musical, winning eight Tony Awards including the top musical prize itself and an Olivier award in London for outstanding achievement in music.
