Mit der vor kurzem veröffentlichten Single “VICTIM” kündigte sich schon an, dass der kanadische Künstler/Musiker/Songwriter YVES JARVIS intensiv an neuem Material arbeitet. Heute stellt er mit “FOR PROPS” seine zweite Single (nebst Video) vor und kündigt gleich auch sein neues Album ‘SUNDRY ROCK SONG STOCK’ (Anti-/ Indigo) für den 25.09.2020 mit an.
Es ist bereits sein drittes Album und wieder beweist er, dass es ziemlich schwer bis unmöglich scheint ihn und seinen Sound zu kategorisieren oder einzuordnen.
Weitere Infos:
“His style evokes uncovered recordings from an obscure spiritual retreat, ones that make you believe something transcendent was near when they were made.” - The Fader
“Yves Jarvis hides beautifully soul-bearing sentiments just beneath his veneer of blurry tape manipulation and impressionistic production.” - All Music Guide
“Stunning 22-track LP from the Montreal artist formerly known as Un Blonde, fusing neo-soul poise with lo-fi indie romance. D’Angelo La Tengo, anyone?” – Uncut on The Same But By Different Means
Montreal’s Yves Jarvis is announcing his third album today, titled Sundry Rock Song Stock. The album will be released digitally on September 25 and on vinyl on November 13. Filmed at the Tree Museum in Gravenhurst, Ontario, watch Yves perform under the trees in the video for new single “For Props” HERE.
Speaking to the track’s meaning, Jarvis says: “What does it mean to earn a fortune? I’ve demonized people who can’t empathize and can’t reciprocate, because that’s how it feels. I’m just playing a role there. On the other side, everybody is pandering for props, even the good ones. That disgusts me, but I don’t want to criticize it in the real world. I just want to criticize it in a song. I see people going back and forth arguing and it seems like a nightmare to me. You have to listen to my music if you want to know what I think about anything.”
On Sundry Rock Song Stock, Yves Jarvis continues to refine his creative approach to the core of his being, where music and life intertwine in harmonious fashion. His latest album fuses genre elements into a symbiotic relationship where wistful folk, tender R&B, pastoral prog, and musique concrète experiments feed into one another to grow lush new forms. Though he maintains an air of mystery with his lyrics, Jarvis’s whisper-soft words can be interpreted as both deeply personal and politically motivated in ways we haven’t heard from him before.
Since his earliest home recordings, Jarvis has taken a Sun Ra inspired attitude with windows left wide open so every sound that filters into his songs becomes part of them. However, he also approached this album with a newfound sense of intention, drawing on the meticulous methods of progressive rock groups King Crimson and Yes, whose epic compositions conjure the vast landscapes of the British countryside. “Their music is not really songwriting,” says Jarvis. “It’s cycling motifs and vignettes. I think of it like a room that you can walk into and then out of.”
Resuming the practice of color theory that informed his 2017 album Good Will Come To You (morning yellow optimism) and 2019’s The Same But By Different Means (midnight blue contemplation), Sundry Rock Song Stock is infused with the natural state of green. As Jarvis explains, it’s the color he most closely connects to his personality, moving beyond an aesthetic attraction into feelings of wildness, boundless energy, and an anti-establishment streak permeating his 23 years on the planet.
“I experienced a musical breakthrough with that bright, easy sound of my last two albums,” says Jarvis. “It felt good to make at the time, but it counters my essence. People think I’m calm, but I’m very not calm, and I’m happy to elaborate on it now. This album came together exceptionally easy in reaction to that nighttime shit. This green is epitomized. This album is reduced.”